“I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.” “They would never overtake the farmer,” he answered, with a laugh. “And the last word would always be with him. I am out to get rid of the landlords,” he continued, “not to establish them as the permanent rulers of the country, as they are in Germany. The people are more powerful—just a little, because they are no longer dependent on the land. They can say to the farmer, ‘All right, my son, if that’s your figure, I’m going to the shop next door—to South America, to Canada, to Russia.’ It isn’t a satisfactory solution. I want to see England happy and healthy before I bother about the Argentine. It drives our men into the slums when they might be living fine lives in God’s fresh air. In the case of war it might be disastrous. There, I agree with him. We must be able to shut our door without fear of having to open it ourselves to ask for bread. How would Protection accomplish that? Did he tell you?”!

“We won’t despair of her,” laughed Joan. “She’s creeping up, poor lady, as Whistler said of her. We have passed the phase when everything she did was right in our childish eyes. Now we dare to criticize her. That shows we are growing up. She will learn from us, later on. She’s a dear old thing, at heart.” There was a long silence. Joan felt the tears trickling between her fingers.

“Very beautiful,” he answered, “in the beginning.” Miss Greyson rose and put away her embroidery. “But what’s his object?” she said. “He must have more money than he can spend; and he works like a horse. I could understand it, if he had any beliefs.” Besides, her pen was no longer able to absorb her attention, to keep her mind from wandering. The solitude of her desk gave her the feeling of a prison. Her body made perpetual claims upon her, as though it were some restless, fretful child, dragging her out into the streets without knowing where it wanted to go, discontented with everything it did: then hurrying her back to fling itself upon a chair, weary, but still dissatisfied.